just stop being a crybaby
(2022)
I had an honor to be invited as a guest of SecondRoom's exhibitions programme.
The formula of one day / 3 hours show was such a beautiful experience in my artistic career.
The opportunity to show my work "Crybaby" in Belgium made me decide that this would be the last time I am exhibiting "Crybaby", so the whole show had a title, suggesting to just stop being a crybaby.
At the show I presented tiny sneak peak of my newest intrest in exploring a feeling of being trapped - an object titled "sometimes it's easier to swollow the tears, trapped".
Thank you Christophe Flore for inving me to Sr space and making this whole event happened.
The formula of one day / 3 hours show was such a beautiful experience in my artistic career.
The opportunity to show my work "Crybaby" in Belgium made me decide that this would be the last time I am exhibiting "Crybaby", so the whole show had a title, suggesting to just stop being a crybaby.
At the show I presented tiny sneak peak of my newest intrest in exploring a feeling of being trapped - an object titled "sometimes it's easier to swollow the tears, trapped".
Thank you Christophe Flore for inving me to Sr space and making this whole event happened.
crybaby
(result of residency, 2021)
"...the artist is in a sense, a neuroscientist, exploring the potentials and capacities of the brain, though with different tools. How such creations can arouse aesthetic experiences can only be fully understood in neural terms. Such an understanding is now well within our reach." S. Zeki
I had a chance and a great opportunity to have a second thought on my Crybaby work. I participated the residency in Portrait Studio Gallery in my hometown Lodz, which as a completly different experience made me remake some of my art pieces.
Gallery is located very near to the hospital, where as an infant I went through a horror. Poor baby, so close to death, was taken to another hospital to simply fix what was destroyed there - most of my body.
Many years after that I struggled a lot with my health - as a child I spend countless days in hospitals. That was the biggest impact I deal with continousely untill this day. Medical aspect of my life still is my main point of creating, and the art residency so close to the place I nearly died, re-defined the work Crybaby.
I had a chance and a great opportunity to have a second thought on my Crybaby work. I participated the residency in Portrait Studio Gallery in my hometown Lodz, which as a completly different experience made me remake some of my art pieces.
Gallery is located very near to the hospital, where as an infant I went through a horror. Poor baby, so close to death, was taken to another hospital to simply fix what was destroyed there - most of my body.
Many years after that I struggled a lot with my health - as a child I spend countless days in hospitals. That was the biggest impact I deal with continousely untill this day. Medical aspect of my life still is my main point of creating, and the art residency so close to the place I nearly died, re-defined the work Crybaby.
“I am a crybaby,
I need to cry,
I need to be hysterical.
I feel sorry.
I'm pouring out.
I'm looking for regularities and disturbing them.
I destroy.
I'm analyzing anomalies however.
I'm stubborn to find what works and what is not.
Why we surrounding ourselves so compulsively by regular structures?
Regular structures surrounding us.
From cells and tissues to the wires of matress on which we've got our worst nightmares.”
- exhibition description
I need to cry,
I need to be hysterical.
I feel sorry.
I'm pouring out.
I'm looking for regularities and disturbing them.
I destroy.
I'm analyzing anomalies however.
I'm stubborn to find what works and what is not.
Why we surrounding ourselves so compulsively by regular structures?
Regular structures surrounding us.
From cells and tissues to the wires of matress on which we've got our worst nightmares.”
- exhibition description
crybaby
(2021)
...the artist is in a sense, a neuroscientist, exploring the potentials and capacities of the brain, though with different tools. How such creations can arouse aesthetic experiences can only be fully understood in neural terms. Such an understanding is now well within our reach. S. Zeki
I would like to share with you my work, experiences and the results of my self-observation analyzes. I invite you to my personal laboratory which I have the pleasure to create in the Rodriguez gallery.
I would like to share with you my work, experiences and the results of my self-observation analyzes. I invite you to my personal laboratory which I have the pleasure to create in the Rodriguez gallery.
I am a crybaby,
I need to cry,
I need to be hysterical.
I feel sorry.
I'm pouring out.
I'm looking for regularities and disturbing them.
I destroy.
I'm analyzing anomalies however.
I'm stubborn to find what works and what is not.
Why we surrounding ourselves so compulsively by regular structures?
Regular structures surrounding us.
From cells and tissues to the wires of matress on which we've got our worst nightmares.
I need to cry,
I need to be hysterical.
I feel sorry.
I'm pouring out.
I'm looking for regularities and disturbing them.
I destroy.
I'm analyzing anomalies however.
I'm stubborn to find what works and what is not.
Why we surrounding ourselves so compulsively by regular structures?
Regular structures surrounding us.
From cells and tissues to the wires of matress on which we've got our worst nightmares.
feelings expansion - ineffective stabilizers
(2020)
Feelings are sometimes inadequate to everyday life. Then there are disproportions between the intensity of experiencing things and their density.
They need support: expansion.
However, this works in both directions. When expansion occurs, it is out of proportion to actual changes in feelings. It becomes the aforementioned inadequacy. It is one of the poles between which stabilization becomes.
Internal emotional states grow, spill out, take on unexpected shapes and consequences.
sublimation - transition phase
(2020)
